Thursday May 7, 2026
Happy Thursday humans! Here is this week's literary inspiration for being human...
I'll let you in on a little secret: I thought I was finished writing Woman Outside the City, but while reading the paperback proof, I kept finding lines I needed to fix—and not just minor proofreading corrections. Entire lines, paragraphs, and chapters needed to be rewritten. I was reluctant to accept this at first—I wrote a pretty good book, does it really need to be perfect?—but the more I read it, the more I realized I could make it even better. I want readers to love the book as much as I do.
In his classic essay "Re-Vision," Mitchell S. Jackson shares a profoundly inspiring take on the concept of revision:
“Revision might include editing or proofing but will always move beyond them. Revision is seeing the work in progress. Revision is seeing the work in context. Revision is recognizing the parts of a text and how they work to form a whole. Revision is seeing what could and should and shouldn’t be there and conceiving of ways to make it so. Revision is discovering what’s right and imagining how to make it more right; it’s pursuing a new way of seeing and being. Revision is a philosophy; revision is revolution.”
I especially love the statement that revision is "pursuing a new way of seeing and being." Committing to revision thus facilitates enlightenment, revealing new possibilities that stem from new perspectives, new insights, and new experiences. Last week, I wrote about embracing the tension between broad vision and tiny details, and this leads me to discover new possibilities for my life and my work. I am continually growing and changing, and although I will soon wrap up with the last revisions for Woman Outside the City, I am learning that the revision process lasts much longer than we often realize.
Are you open to revision? Where might you find opportunities for fulfillment in your life and work? How can you embrace new perspectives and experiences that lead to new ideas and insights?
“... Head in the heavens, she
doesn't see her body settle, gathering
dust in the human heap. I'm the one who taught her to sit still."
—"Wake Her Up" in Woman Outside the City)
How do you find a good balance between "settling" and wanting something better? Do you have a tendency to settle for less than what you really want, less than you are capable of? How do you hold yourself and others to high standards while also leaving room for humanity and imperfection?
In "Portrait of the Artist as a Young Man," poet Wayne Miller examines how an outward gaze can help us escape from self-alienation and self-absorption. As the speaker reflects on a summer spent in Spain when he was "newly single and miserable," he also recalls a passage paraphrased from his reading in which "the eye identifies / not with the body it belongs to / but with the object of its attention." This passage becomes a central idea in the poem, and the speaker describes how he couldn't focus on reading because the outside world kept catching his attention, "pulling me from myself." Although the speaker feels "locked inside a strange / interior," the external world—possibly because of its foreignness—eventually leads him to a revelation in the last line of the poem.
Put yourself in an environment where you can observe the external world with curiosity—what do you notice? What insights and revelations does this lead to?
This spring, I taught the classic novel The Alchemist by Paulo Coelho, about an Andalusian shepherd boy named Santiago who journeys from Spain to the Egyptian desert in search of treasure, discovering his "Personal Legend" and the importance of following his dreams along the way. The book inspires a spirit of exploration and adventure; for the literature study I wanted to create an immersive experience that would convey the excitement one feels when reading the book. I found a playlist featuring Andalusian flamenco guitar music that became the soundtrack for our class sessions. Long after we finished the book, this playlist still invigorates me; it's calming, yet it also makes me feel like a traveler on an exotic adventure. Even while I'm working at my desk or driving in rush hour traffic, this playlist helps me escape from the confines of daily life to connect with a sense of discovery and resilience.
In the latest episode of Backlit, Egyptian author Mohamed Kheir joins me in a conversation inspired by his speculative fiction novel Sleep Phase, translated into English by Robin Moger. What happens when reality becomes surreal? How do we draw the line between fiction and nonfiction? Blending past, present, and future in scenes that evoke the chaotic beauty of a changing city, Mohamed’s work examines how monumental shifts influence our understanding of ourselves and our world.
Woman Outside the City provides a glimpse into how humans are trying to navigate the twenty-first century chaos of an undeniable gash in the skin of assumptions that have long been in place to contain the mess of being human.
Preorder the book today!
Reading and writing are often practiced in peaceful solitude — yet it can also be rewarding to discuss our literary activities with others, sharing insights from our adventures with literature and creative writing. The Guide to Good Literary Conversations provides tools and tips to help you enjoy enriching conversations inspired by literature.
Several new literary workshops have been added to the Bricolage Lit summer schedule, including Journeys & Journaling, City Lit, Hybrid Writing, and World Writers Cafe, a literary workshop designed with English learners in mind. We are also accepting applications for the second Writers Cohort, a free 8-week workshop designed to help writers develop literary work for publication.